by MacShimi » Mon Jun 05, 2006 2:09 pm
One of my greatest areas of dissatisfaction comes from one of two problems:
The first is distorting or ignoring the primary source material. Ranma is a macho guy, the probably the best martial artist of his generation (and possibly one of the best for centuries). Ranma is at the same time defensive and insecure about his identity and very secure in his skills as a martial artist.
Therefore stories that make Ranma happy to wear girls clothes, without a compelling reason (eg: a tournament like the Martial Rhythmic Gymnastics or Martial Figure Skating), is wrong. Ranma may not experience gender dysphoria in his female but he’s certainly eager to change back into his natural form. Ranma tolerates his female body, but he doesn’t like it.
The original series was written as a cartoon comedy. Actions like malleting people are typical expressions of the genre. Think of Wile E. Coyote and the Road Runner or just about any of the traditional Warner Brothers cartoons. There’s a big difference between the exaggerated violence of the cartoons, where the characters are fine in five minutes, and real violence where people suffer lingering injuries. Ranma’s injuries from Akane are typically healed in a few pages, or in fact help the story along as in the case of the Cat’s tongue Shiatsu point. Authors who turn Akane into a sufferer of psychotic fits forget this. Now I’m by no means a big fan of Akane’s. But let’s like or dislike her based on her actual actions, not on her fanon reputation.
My second point here is authors who make this series the be-all and end-all of Ranma’s life. This series is of a roughly two year period around the time of his sixteenth year. Now think back to when you were sixteen. Easy for some, harder for others. There were a great number of things which seemed immensely important to all of us at 16. How many of them still have that desperate importance to us now?
It’s normal for teenagers to have some emotional problems. It’s also normal for them to overcome these problems in their late teens and to adapt themselves to lives as adults in the time between their last days of schooling and their first few years in the workplace. Do you really think that Ranma will be as emotionally insecure as he is shown to be in the Manga ten years later? I think not. So authors who write stories set years, decades or centuries later should realise this. People change. Sure Ranma might remember how important, annoying, powerful or what-have-you an event seemed at the time. But this will be leavened with the perspective of his later experiences.
Too many fictions are written not just with teenaged characters, but tacitly accepting these characters self-evaluations at face value, (well… possibly basing all characters around the evaluation of one of the canon or fanon character’s interpretations of the others). My point is that writers need to have perspective when they write. They need to be able to separate what they believe from what their characters believe. Otherwise we don’t see story telling we see emotional propaganda.
I think this can all be summarised in this quote:
“A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.”
-- Gilbert Keith Chesterton (1874 – 1936)
If you must play, decide on three things at the start: The rules of the game, the stakes, and the quitting time.
-- Chinese proverb